RECLAIMING THE BODY AS HOME:
THE BODYBASED ARTS AS CENTER OF THE ‘NEW VILLAGE'

by Nala Walla

 

DANCE AS IF YOUR LIFE DEPENDS ON IT

There are numerous examples of aboriginal peoples who recognize the dancers and actors of their tribes to be so essential to the life of the tribe that they are excused from the day to day labors of working for food and shelter so their full attention can be focused on these sacred tasks. In indigenous Hawaiian culture, for example, it is believed that dancers practicing Hula influence wind, wave, weather and many other larger patterns, creating safe passage for boats and travelers. Without these arts practitioners to create sheltered harbor amidst the swift currents of an everchanging earth, they believe their culture will cease to function. For these reasons, dancers were once chosen at birth, their entire lives dedicated to the Hula Goddess Laka.

The temple dancers of India were once likewise chosen at birth or a very young age and spent their lives on temple grounds built distinctly for this purpose by the efforts of the rest of the tribe. Many Indigenous American tribes also believe that their dance and song influences the weather and relates them to the places where they live, gather and hunt. Aboriginal Australians use song and movement to map the terrains they travel. Without these “songlines” to guide them, they believe they will become lost, putting their survival in jeopardy.

When we recognize the distinct lack of these ancient arts, we can now see that modern society is indeed quite lost, and our own survival is in jeopardy. All who are interested in forming a healthy, sustainable new society would be well-advised to invest in a resurgence of these arts. Dance as if your life depends on it (it does).

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